Rebecca Himelstein's (supercollider) and Billie Howard's (violin) work offers expressions of emotional extremes as a means of re-experiencing and making meaningful their affective spaces. Through the composition of close and shifting frequencies, extreme dynamics, and over or undersaturation, they compose visceral experiences of the depth, density and complexity of disorientation, destruction, anger, loneliness, vertigo, and awe through synthetic and acoustic sound.

Hayden Beck will be presenting a new work for an amplified, live-processed, prepared piano soundboard featuring lfo modulated radio, small motors, speakers, and telephone pickups.