Described as a “New Jazz Power Source” by the New York Times, cellist and composer TOMEKA REID has emerged as one of the most original, versatile, and curious musicians in Chicago’s bustling jazz and improvised music community over the last decade. Her distinctive melodic sensibility, always rooted in a strong sense of groove, has been featured in many distinguished ensembles over the years.
Reid grew up outside of Washington D.C., but her musical career began after moving to Chicago in 2000. Her work with Nicole Mitchell and various Association for the Advancement of Creative Musicians-related groups proved influential. By focusing on developing her craft in countless improvisational contexts, Reid has achieved a stunning musical fluency. She is a Foundation of the Arts (2019) and 3Arts Awardee (2016), and received her doctorate in music from the University of Illinois, Urbana-Champaign in 2017.
Reid released her debut recording as a bandleader in 2015, with the Tomeka Reid Quartet, a vibrant showcase for the cellist’s improvisational acumen as well as her dynamic arrangements and compositional ability. The quartet’s second album, Old New, released in Oct 2019 on Cuneiform Records, has been described as “fresh and transformative--its songs striking out in bold, lyrical directions with plenty of Reid’s singularly elegant yet energetic and sharp-edged bow work.” Another reviewer noted that “while Reid’s compositional and technical gifts transcend jazz, they exemplify the tradition wondrously.”
Reid has been a key member of ensembles led by legendary reedists like Anthony Braxton (ZIM SEXTET) and Roscoe Mitchell (ROSCOE MITCHELL QUARTET, ART ENSEMBLE OF CHICAGO), as well as a younger generation of visionaries including flutist Nicole Mitchell (BLACK EARTH ENSEMBLE, ARTIFACTS), vocalist Dee Alexander (EVOLUTION ENSEMBLE), and drummer Mike Reed (LOOSE ASSEMBLY, LIVING BY LANTERNS, ARTIFACTS). She co-leads the adventurous string trio HEAR IN NOW, with violinist Mazz Swift and bassist Silvia Bolognesi, and in 2013 launched the first Chicago Jazz String Summit, a semi-annual three-day international festival of cutting edge string players held in Chicago. In the Fall of 2019 Tomeka Reid received a teaching appointment at Mills College as the Darius Milhaud chair in composition.
JEFF PARKER (1967) is a multi-instrumentalist, producer and composer. A longtime member of the influential indie-band Tortoise, Parker is recognized as one of contemporary music’s most versatile and innovative electric guitarists and composers. With a prolific output characterized by musical ideas of angularity and logic, he works in a wide variety of mediums - from pop, rock and jazz to new music - using ideas informed by innovations and trends in both popular and experimental forms. He creates works that explore and exploit the contrary relationships between tradition and technology, improvisation and composition, and the familiar and the abstract.
His sonic palette may employ techniques from sample-based technologies, analog and digital synthesis, and conventional and extended techniques from over 35 years of playing the guitar. An integral part of what has become known as “The Modern Chicago Sound” he is also a founding member of the critically acclaimed and innovative groups Isotope 217˚ and Chicago Underground, and has been an associate member of the Association for the Advancement of Creative Musicians (AACM) since 1995.
A look at his work as a sideman offers a glimpse into Mr. Parker’s diversity. This list includes: Andrew Bird, The Ex, Joshua Redman, Toumani Diabate, Nicole Mitchell, Yo La Tengo, Daniel Lanois, Brian Blade and the Fellowship Band, Jason Moran, Matana Roberts, Joey DeFrancesco, Nels Cline, Charles Earland, Ken Vandermark, Dave Douglas, Fred Anderson, Tom Zé, and Meshell Ndegeocello. Parker has released several albums as a leader, all to critical acclaim, including: Like-Coping (2001), The Relatives (2004), Bright Light In Winter (2012) and The New Breed (2016).
Currently, he has been focusing on music production, small ensembles and solo performance – to cultivate and establish an idiosyncratic relationship between electronic and acoustic compositional properties in music. The coming months will see new releases from Parker in the forms of an album of solo guitar, Enoinspired ambient duo music with famed cornetist Rob Mazurek, an album that features his long-time (and mostly undocumented) interest in hip-hop production and sample-based music (blended with orchestration and improvisation), and a new album from Tortoise.
"Parker, probably best known as a member of the post-rock band Tortoise, has absorbed so many styles and worked in so many situations that he really comes across as an individual with vast roots." -Jazz Times Magazine
“His sound is unmistakable, spastic and unpredictable, yet at the same time precise and refined…history will certainly reflect that he is one of the more noteworthy guitarists of his generation.” -Dusted Magazine
“The most humble guitar-god…whether digging into instrumental rock, groove-heavy organ jazz, or post-freedom space music, Parker chooses to highlight the more eccentric elements of his personal style. Rather than morphing to fit the music at hand, he somehow creates the illusion of bending the environment to his own sound.” -Neil Tesser, chicagomusic.org
Thursday, May 28, 2020 at 8pm *CDT/GMT-5*
Keep Your Mind Free
8:00pm - Damon Locks
8:30pm - Tomeka Reid
9:00pm - Nicole Mitchell
9:30pm - Jeff Parker
Videos by: Nzingha Kendall, Foolish Mortal and Lucie Romero
Damon Locks is a Chicago-based visual artist, educator, vocalist/musician. He attended the Art Institute of Chicago where he received his BFA in fine arts. Since 2014 he has been working with Prisons and Neighborhood Arts Project at Stateville Correctional Center teaching art. He is a recipient of the Helen Coburn Meier and Tim Meier Achievement Award in the Arts and the 2016 MAKER Grant. He operated as an Artist Mentor in the Chicago Artist Coalition program FIELD/WORK. In 2017 he became a Soros Justice Media Fellow. In 2019, he became a 3Arts Awardee. Currently he works as an artist in residence as a part of the Museum of Contemporary Arts' SPACE Program, introducing civically engaged art into the curriculum at the high school, Sarah E. Goode STEM Academy. Damon performs solo and also with The Eternals, Rob Mazurek’s Exploding Star Orchestra and his own group Black Monument Ensemble who released their debut album summer of 2019.
NICOLE MITCHELL is an award-winning creative flutist, composer, bandleader and educator. She is perhaps best known for her work as a flutist, having developed a unique improvisational language and having been repeatedly awarded “Top Flutist of the Year” by Downbeat Magazine Critics Poll and the Jazz Journalists Association (2010-2017). Mitchell initially emerged from Chicago’s innovative music scene in the late 90s, and her music celebrates contemporary African American culture. She is the founder of Black Earth Ensemble, Black Earth Strings, Sonic Projections and Ice Crystal, and she composes for contemporary ensembles of varied instrumentation and size, while incorporating improvisation and a wide aesthetic expression. The former first woman president of Chicago’s Association for the Advancement of Creative Musicians, Mitchell celebrates endless possibility by “creating visionary worlds through music that bridge the familiar with the unknown.” Some of her newest work with Black Earth Ensemble explores intercultural collaborations; Bamako*Chicago, featuring Malian kora master, Ballake Sissoko, made its American debut at Chicago’s Hyde Park Jazz Festival in September 2017, and Mandorla Awakening with Kojiro Umezaki (shakuhachi) and Tatsu Aoki (taiko, bass, shamisen), was just recently released on FPE records (Chicago) last spring. Recently she celebrated a compositional premiere with Procession Time, a suite inspired by the work of Harlem Renaissance artist Norman Lewis, that was performed by the San Francisco Contemporary Music Players and conducted by Steve Schick in October 2017. Mitchell has also recently been interested in multidisciplinary work, through the incorporation of original video art with her music (Mandorla Awakening I and II, Interdimensional Interplay for Solo Disklavier and Prerecorded Flute). In January 2018, Mitchell was recently the Artist in Residence at New York’s Winter Jazz Fest, where she performed four suites of her compositions, including Art and Anthem (for poet Gwendolyn Brooks), Maroon Cloud (inspired by her writing “What Was Feared Lost” from Arcana VIII edited by John Zorn), Pteradatyl, a new trio with vocalist Sara Serpa and Liberty Ellman, and her latest Afrofuturist suite, Mandorla Awakening, which was cited as a top jazz recording in the New York Times and the LA Times for 2017. As a composer, Mitchell has been commissioned by the French Ministry of Culture, the Chicago Museum of Contemporary Art, Art Institute of Chicago, the Stone, the French American Jazz Exchange, Chamber Music America (New Works), the Chicago Jazz Festival, ICE, and the Chicago Sinfonietta. Mitchell has performed with creative music luminaries including Craig Taborn, Roscoe Mitchell, Joelle Leandre, Anthony Braxton, Geri Allen, George Lewis, Mark Dresser, Steve Coleman, Anthony Davis, Myra Melford, Bill Dixon, Muhal Richard Abrams, Ed Wilkerson, Rob Mazurek, and Billy Childs, and Hamid Drake. She is a recipient of the Herb Alpert Award (2011), the Chicago 3Arts Award (2011) and the Doris Duke Artist Award (2012). Mitchell was a Professor of Music at University of California, Irvine, teaching composition and improvisation in the graduate program of Integrated Composition, Improvisation and Technology for several years. Now, she is the new director of jazz studies in the University of Pittsburgh's Deitrich School.