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OPTION: Edward Wilkerson & Joe Morris

  • Experimental Sound Studio 5925 North Ravenswood Avenue Chicago, IL, 60660 United States (map)

Saxophonist Edward Wilkerson brings guitarist Joe Morris to Chicago to perform a duo set together for the first time.

Walk-ins welcome; reservations recommended

Experimental Sound Studio presents Edward Wilkerson and Joe Morris in their first duo performance.

This performance and interview are presented in the ESS garden, and will be premiered online on ESS's YouTube.

The OPTION series is curated by Ken Vandermark, Lily Finnegan, and Andrew Clinkman.

Event Details

Sunday, July 23

3:00-5:00pm

Experimental Sound Studio Garden

5925 N. Ravenswood Ave., Chicago

About Edward Wilkerson

Edward L. Wilkerson Jr. is an internationally recognized American jazz composer, arranger, musician, and educator based in Chicago. As founder and director of the cutting-edge octet 8 Bold Souls, and the 25-member performance ensemble Shadow Vignettes, Wilkerson has toured festivals and concert halls throughout the United States, Europe, Japan, and the Middle East.

His music can be heard on 14 recordings, including two film soundtracks and the critically acclaimed albums Birth of a Notion, and 8 Bold Souls, both on his own Sessoms Records label.

One of the great saxophone and clarinet players on the Chicago scene, Wilkerson from the 1980s into the new millennium may have become best known as a bandleader and composer, particularly associated with medium- to large-scale projects (somewhat daunting in an era when creative music bandleaders are challenged to keep even small ensembles together). He has also been a major presence in Chicago's Association for the Advancement of Creative Musicians (AACM), teaching composition at the organization's music school and serving for a time as AACM president.

The AACM collective, with its spirit of community as well as unbridled creativity, has been a predominant nurturing force for Wilkerson and has informed much of his work. He was an original member of the Ethnic Heritage Ensemble (formed by percussionist Kahil El'Zabar upon El'Zabar's 1976 graduation from the AACM school) and remained with the group until 1997, when he was replaced by Ernest "Khabeer" Dawkins.

However, while appearing on such Ethnic Heritage Ensemble recordings as Three Gentlemen From Chicago (Moers), Hang Tuff (Open Minds), and Dance with the Ancestors (Chameleon), Wilkerson was also becoming more involved in leading his own projects, which characteristically saw the reedman thinking big. His most ambitious project, Shadow Vignettes, was initiated in 1979; with 25 musicians and incorporating dance, poetry, and visual arts, the ensemble's influences include the big band work of Muhal Richard Abrams, Duke Ellington, Count Basie, and Sun Ra. Shadow Vignettes released one CD, Birth of a Notion, on the Sessoms Records label in 1985. One of Shadow Vignettes' major pieces is entitled "Defender", commissioned by the Lila Wallace/Reader's Digest Fund and featured in the tenth anniversary of New Music America, presented by the Brooklyn Academy of Music's Next Wave Festival.

Wilkerson's best-documented ensemble as a leader is 8 Bold Souls, an octet initiated in January 1985 with a series of Thursday-night concerts at the Chicago Filmmakers performance space. The popularity of the concerts led Wilkerson to establish 8 Bold Souls as a working band, and since their formation, four Souls CDs have been issued: 8 Bold Souls on Sessoms Records, Sideshow and Ant Farm on Arabesque Records, and Last Option on Thrill Jockey. Influenced by the small groups of Duke Ellington and Jimmie Lunceford, 8 Bold Souls also makes plenty of room for adventurous experimentation in the AACM spirit, drawing fully on the unusual sonic possibilities of the group's instrumentation of two woodwinds, trumpet, trombone, cello, tuba, bass, and trap drums. Overall, Wilkerson's work may be heard on 14 recordings, including two film soundtracks.

In addition to his work with 8 Bold Souls, Shadow Vignettes, and the Ethnic Heritage Ensemble, Wilkerson has also played with the AACM Big Band, Roscoe Mitchell, Douglas Ewart, the Temptations, Chico Freeman, Geri Allen, the Lyric Opera of Chicago, Muhal Richard Abrams, Aretha Franklin, and George Lewis.

Wilkerson's most recent release is the ensemble performance, Frequency, on the Thrill Jockey label. Encompassing distinctive compositions, and high-quality improvisational flights plus World and Native American sonic echoes, this debut CD confirms both the talents of the band Frequency and the continued adaptability of AACM members.

Besides the AACM-link, each participant in this Chicago-based quartet brings different sensibilities to the session. It includes reedist Ed Wilkerson and bassist Harrison Bankhead from 8 Bold Souls. Flautist Nicole Mitchell leads her own groups as well as working as an educator, while veteran percussionist Avreeayl Ra’s AACM involvement goes back almost to the cooperative’s founding.

Wilkerson has received grants from the Illinois Arts Council, the National Endowment for the Arts, Meet the Composer, and the Community Arts Assistance Program, and has been cited in numerous music polls.

In his free time, Wilkerson, past president and longtime member of the Association for the Advancement of Creative Musicians (AACM), teaches composition at the AACM School of Music.

About Joe Morris


Downbeat Magazine called guitarist/bassist/composer/improviser Joe Morris, “the preeminent free music guitarist of his generation.” Will Montgomery, writing in WIRE magazine, called him, “one of the most profound improvisers at work in the U.S.”

He was born in New Haven Connecticut in 1955. He began playing guitar at the age of 14 first playing rock music, progressing to blues, then to jazz, free jazz and free improvisation. He has also performed on double bass since 2000. He released his first record Wraparound (riti) in 1983. He has composed over 200 original pieces of music.

Morris has performed and/or recorded on guitar or bass with many of the most important contemporary artists in improvised music including, Anthony Braxton, Wadada Leo Smith, Evan Parker, John Zorn, Ken Vandermark, Mary Halvorson, Tyshawn Sorey, Tomeka Reid, Mats Gustafsson, Fay Victor, Tim Berne, William Parker, Sylvie Courvoisier, Agusti Fernandez, Peter Evans, David S. Ware, Joe Maneri, Dewey Redman, Fred Hopkins, Sunny Murray, Leroy Jenkins, Lawrence D. “Butch” Morris, Marshall Allen, Ray Anderson, Barre Phillips, Barry Guy, Matthew Shipp, Gerald Cleaver, Axel Dorner, John Butcher, Matana Roberts, and many others.

Morris is featured as leader, co-leader, or sideman on more than 180 commercially released recordings on the labels ECM, ESPdisk, Clean Feed, Hat Hut, Aum Fidelity, Avant, OkkaDisk, Not Two, Soul Note, Leo, No Business, Rogue Art, Relative Pitch, Incus, RareNoise, Fundacja Sluchaj, Mahakala Music, his own labels Riti and Glacial Erratic and others. Morris has toured extensively throughout North America and Europe as well as in Brazil, Korea and Japan.

He has lectured and conducted workshops on his own music and on improvisation in the US, Canada, and Europe including at Princeton University, Dartmouth College, Harvard University, Bard College, University of Alberta, and University of Guelph. He was the recipient of the 2016 Killam Visiting Scholar Award at University of Calgary. He has been on the faculty at Tufts University, Southern Connecticut State University, Longy School of Music of Bard College, and New School. Since 2000, he has been on the faculty in the Jazz and Contemporary Musical Arts Department at New England Conservatory of Music. Morris is the author of the book, Perpetual Frontier: The Properties of Free Music (Riti Publishing 2012).

About OPTION

OPTION is an ongoing music salon curated by Chicago musicians Andrew Clinkman, Lily Finnegan, and Ken Vandermark and presented by Experimental Sound Studio. Its programming explores contemporary perspectives on improvisation and composition in a 'salon' format, enabling local, national, and international artists to publicly discuss their practice and ideas as well as perform.



Parking

Street parking can be found easily around ESS on streets such as W. Thorndale. There are three parking spots directly in front of ESS on Ravenswood. On weekends, parking is also available along the front of Weber Furniture; please do not block the garage doors. Behind ESS through the alley, there are also two parking spots which we are happy to reserve for anyone with accessibility needs. Please get in touch with info@ess.org to reserve a spot.



During the OPTION series this summer, diagonal parking is available in the alley directly south of ESS and Weber Furniture Service.

Accessibility

ESS has wheelchair seating and accessible bathrooms on both floors.

Please note that once on one floor, there is no ADA-accessible path inside the building to switch between floors; you will have to exit the building and reenter from the respective floor entrance. Our front entrance on Ravenswood leads you to our 1st floor (Audible Gallery, Studio A, Live Room), while our alley entrance leads you to the basement/garden (garden shows, Creative Audio Archive, Studio B).

To reserve accessible seating or parking, request other accommodations, or ask us any accessibility-related questions, please email info@ess.org.


The 2023 OPTION season is sponsored in part by 90.9FM WDCB, Half Acre Brewing, and Diana's Bananas.


Earlier Event: July 16
OPTION: Angela Sawyer
Later Event: July 30
OPTION: Jaribu Shahid