Lee Blalock: I Sing the Body Cybernetic
Friday, January 25, 6-9pm
New Web Releases
on February 24, March 24, & April 28
January 25 - April 28, 2019
Sundays 1-5pm or by Appointment
Inspired by both experimental band formats and futurism, I Sing the Body Cybernetic presents mannequins outfitted with wearable electronics that serve as instruments as well as augmentations. Over the course of the installation, one band per month will periodically activate the wearable electronics, performing sound pieces which are composed algorithmically using custom software. Using various creative coding techniques, screens in the background will play a combination of original lyrics and performative vignettes. At the end of each month, Blalock will make a guest appearance with the band via live streamed video. This virtual component marks the end of the work for that particular band, at which time the mannequins are re-configured, the augmentations are changed, and a new band representing a different genre is introduced for the month. Each of the three bands take aesthetic cues from variations on genres such as new wave, post hardcore, art rock, and experimental music.
About Lee Blalock
Lee Blalock is a Chicago based artist and educator presenting alternative and hyphenated states of being through technology-mediated processes. Inspired by science fiction, futurism, and technology itself, the work is an exercise in body modification by way of amplified behavior or "change-of-state".
Blalock also works under the moniker of L^2, whose most recent live work embraces noise and fissure as a natural state of being for bodies living in the information age. By superimposing custom module based "Instr/augment" systems (sy5z3ns) onto performers, L^2 creates conditions for meditation in the form of generative and repetitive behavior in an experimental band format. Blalock is an Assistant Professor in the Art and Technology Studies Department at the School of the Art Institute of Chicago. She holds an Master of Fine Arts from SAIC, and a Bachelor of Science from Spelman College.
Audible Gallery at ESS is a 400 square foot project space focusing on intimate exhibitions that feature or are somehow driven by sound as medium, subject, or a cultural force. Exhibitions are curated by the ESS staff or by other curators and partner organizations focusing on intersections of sound, media, and culture.
GALLERY HOURS: SUNDAYS, 1-5PM, OR BY APPOINTMENT
Are you an artist, group, or curator who has a proposal for an exhibition in Audible Gallery? Visit our Contact page and submit a proposal.
Previous Exhibitions & Events
Herbert Brün 100 at ESS, curated by Rare Nest gallery, presents the visionary computer-generated compositions by Herbert Brun. Gallery hours are Sundays, 1-5pm.
ESS is delighted to collaborate with Rare Nest gallery and the Brün Estate in presenting Herbert Brün's visionary computer-generated imagery to a wider community.
2018 Wavefront artist-in-residence Dave Chow presents recent work in ESS’s Audible Gallery.
Exhibition opening for 2018 Wavefront artist-in-residence Dave Chow’s exhibition of recent work in ESS’s Audible Gallery.
mass notification is a sound installation by the artist Banrei that considers auditory methods of control and the language of the siren. The work experienced at Experimental Sound Studio (ESS) consists of an array of hundreds of works dispersed through short auditory bursts of sound that swell and spatter, interspersed with moments of modulated silence, utilizing sheer volume as a visceral form of object presence.
The Ears Have Walls: A Survey of Sound Games is an interactive exhibition of sound games, presented in collaboration with the Video Game Art Gallery.
Join us on a tour of sites connected to Filament Surge, a mobile app created by Bill Parod for geo-located, spatialized sound pieces. Participants will have an opportunity to experience the app at each site and hear more about the context of its creation.
The Ears Have Walls features video game art that assigns audio to a lead role instead of merely a support for video or a confirmation of transmitted commands. Curated by Stephan Moore and Chaz Evans, The Ears Have Walls is an exhibition spanning two location, with work on view at both ESS and VGA Gallery.
The fifth and most conceptually broad iteration of Ten x Ten, ‘Ten x Ten 2017: Dual Practices’ brings together 10 notable Chicago artists who have robust practices in both visual art and music. By considering questions about boundaries and location, Ten x Ten 2017 will investigate Chicago neighborhood identities, urban change, and comfort in space and place.
Five artist pairs have been collaborating over several months to each create a two-part work that includes a song or audio piece and an 18” x 18” screen print. The results of these partnerships will be released with a concert and gallery exhibition at Experimental Sound Studio on Saturday, September 9th.The artists will perform excerpts from their collaborations and display their prints as well as other work.
Experimental Sound Studio is pleased to present Guassian Blur, the first exhibition by Sonnenzimmer in Audible Gallery.
"informatique de soi-même" is a one-weekend only pop up exhibition of video works by Bridge member Jean-Luc Guionnet in Audible Gallery.