Founded in 1986 by Dawn and Lou Mallozzi, Eric Leonardson, and Perry Venson, Experimental Sound Studio (ESS) has occupied its Edgewater location since 2006. The facility is home to a full-service recording, mixing, and mastering studio for hire; Audible Gallery, a small public space for exhibitions, meetings, workshops, performances, and artists' projects; and the Creative Audio Archive—an invaluable collection of recordings, print, and visual ephemera related to avant-garde and exploratory sound and music of the last five decades. ESS presents eclectic performance and installation programming, workshops, and artist talks year round—both in the various spaces around the studio (including its beautiful garden) and at various partner venues around Chicago.
ESS is a non-profit, artist-run organization focused on sound in all its exploratory cultural manifestations, including music, sound art, installation, cinema, performing arts, sound poetry, broadcast, new media, and more. It is our mission to serve the artists engaged in these disciplines, the audiences who listen to them, and the public who may as yet be unaware of sound's many creative dimensions. Our approach integrates production, presentation, education, and preservation, often in partnership with other organizations, constituencies, artists, and individuals.
Adam Vida: Managing Director
Adam Vida has been Studio Manager/Events Coordinator at ESS since 2008. In addition to running the day-to-day operations of the recording studio, he is instrumental in scheduling and executing ESS' events programming at ESS—developing, curating, and coordinating many concerts, workshops, and performance series—including Sunday Solos, SummerSonic, the Benefit Concert for Frank Rosaly, and Drone for the End of Time. Adam also works as a producer for recording sessions and an in-house composer for film and video projects.
Adam is also a multi-instrumentalist, composer, improviser, and producer. After attending the New England Conservatory of Music in Boston, Adam moved to Chicago in 1997 where he has performed and recorded in various rock, jazz, improvised, and experimental music projects (U.S. Maple, Singer, Dhalgren, DRMWPN, Azita, Redmoon Theater, Central Falls, Ken Vandermark). He has toured extensively throughout North America and Europe with various projects.
Alex Inglizian: Technical Director, Chief Engineer
Alex Inglizian has been with ESS since 2007, shortly after he received a BA in Sound from the School of the Art Institute of Chicago. A seasoned engineer, he has over 10 years of experience in both live and recorded sound. In addition to managing the upkeep of the studio's soft- and hardware and engineering most of our recording sessions, he co-curates the SummerSonic series, and runs location sound and does post-production mixing for many independent film and video projects. Inglizian is a technical wiz, exhibiting prodigious skill in sound design, circuit bending, programming, and as an educator. He is an active musician and improviser around Chicago, playing in bands such as Dhalgren and El is a Sound of Joy.
Olivia Junell: Development & Outreach Director
Olivia Junell's role as Development & Outreach Director focuses primarily on reaching out within and beyond ESS's already strong support bases, developing opportunities for deeper involvement with the organization for a wide range of individuals, and continuing to grow community partnerships.
A native Texan, Olivia moved to Chicago in 2013 to pursue a dual Masters in Arts Administration and Public Policy and Modern Art History and Critical Writing at the School of the Art Institute Chicago. Before moving Olivia worked in development for over 8 years, most recently as Development Manager at the Contemporary Arts Museum Houston.
Olivia is a founding member of Suplex, a curatorial collaborative, and serves on the board of Alabama Song, an artist-run cultural space. Since moving to Chicago she has enthusiastically thrown herself into the city's arts scene, working with organizations such as the Hyde Park Jazz Festival and High Concept Laboratories.
Sally Conkright: Archivist, Creative Audio Archive
Sally Conkright attended St. John’s College in Annapolis, Maryland and, in 2009, received a B.A. in Philosophy and the History of Math and Science. In 2015, she graduated with an MLIS and a certificate in Archives and Cultural Heritage Resources from Dominican University. She has focused on audiovisual and museum archives, working on projects at the Chicago Film Archives, the International Museum of Surgical Science, and the Studs Terkel Radio Archive.
Lou Mallozzi: Founder / Director Emeritus
Founder Lou Mallozzi is an artist, arts administrator, and educator. He is a founding member of ESS and was Associate Director since its inception in 1986 until 1999, when he became Executive Director. His duties include developing programming and organizational partnerships, and overseeing administrative and financial operations. During his time at ESS he has facilitated the presentation of work by several hundred artists and ensembles to Chicago audiences by curating, organizing, or co-producing scores of performances, exhibitions, broadcasts, roundtable discussions, and other cultural programs. These include the ESS Florasonic sound installation series, the Outer Ear Festival of Sound (now the Outer Ear Series), the Sounds From Chicago radio series (1988-1996), the Artist Residency Program, and others. He oversaw ESS’s studio renovations in 2001 and 2006, the initiation of the Creative Audio Archive in 2003, and the establishment of Audible Gallery in 2006. He has been invited to speak on numerous panels concerning sound as art, public art practice, and historic and theoretical topics in contemporary art practice. His own practice as an artist engaged primarily with sound has received considerable attention, including performances and exhibitions in the US, Canada, and Europe, as well as grants and residencies from the Rockefeller Foundation, the Illinois Arts Council, the Chicago-Lucerne Sister Cities Program, and others. He is on the faculty of The School of the Art Institute of Chicago, where he teaches in the Sound Department with an emphasis on sound art, sound installation, creative production techniques, and interdisciplinary art practice. Lou retired from his position of Executive Director in July of 2016.
Drew Roulo: President And Chair
Director of Asset Servicing, Guggenheim Partners Investment Management
Expertise: financial planning and fiscal management.
Ed Herrmann: Treasurer
Freelance audio producer and composer
Affiliations: Association of Independents in Radio, Public Radio Exchange, Guild of Carillonneurs in North America
Expertise: Small business finance, programming.
Director of Creative Technology, DCI-Artform; Founder, Make Amazing; Artist
Expertise: Experience based immersion, design, interactive architecture, new and emerging media concepts and technologies, event production
Partner & Chief People Officer, Dark Matter Coffee
Affiliations: Ithaca Underground, Ithaca, NY, Board Member; The Chicago Outfit Roller Derby, Chicago; Hope for the Day, Chicago (Dark Matter Coffee Partner Organization); Garfield Park Garden Network, Chicago, (Dark Matter Coffee Partner Organization); Hyde Park Art Center, Volunteer (formerly Finance & Operations Manager & Art Instructor).
Expertise: community partnerships; events organization; financial management.
Adjunct Professor and Graduate Coordinator, Sound Department, The School of the Art Institute of Chicago. Artist, curator, and educator. Co-founder and former executive director – now director emeritus – Experimental Sound Studio.
Expertise: Contemporary interdisciplinary arts; arts administration, curating, cultural events organizing, cultural organization partnerships, post-secondary arts education.
Manager, Technical Writing Department, Shure Incorporated.
Affiliations: Advisory Board Member, DEW Foundation.
Expertise: Management, audio technology, community access to culture and social services.
5925 N Ravenswood Ave, Chicago, IL 60660. USA
ESS programs & services are made possible through the generosity of our members and donors, including significant contributions from anonymous donors. Major support is provided by the DEW Foundation, the Gaylord & Dorothy Donnelley Foundation, the MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the Illinois Arts Council Agency, the Arts Work Fund for Organizational Development, a CityArts grant from the City of Chicago Department of Cultural Affairs & Special Events, and The Aaron Copland Fund for Music.
Black Cinema House
Chicago Film Archives
Chicago Park District
The School of the Art Institute of Chicago
Chicago Cultural Center
Morton Feldman Chamber Players
Chicago Artists Coalition
The Poetry Foundation
Dark Matter Coffee
Chicago Archictecture Biennial
Amundsen High School
High Concept Labs